Making our Czech house a home

We have been decorating the house. The major work has now all been finished – the ceilings replastered, the floors half-stripped, new bathrooms installed and now we get to the stage of making the house a home. My husband has been painting the doors – downstairs a bright blue and upstairs grey. It is amazing how a lick of paint can transform the most cruddy of doors (and boy are they cruddy – the cheapest doors the previous owners could find). We would love at some point to replace them with good wood ones, but this being an old house there is not a doorway of the same size anywhere and none that are anything like regular in their proportions and so to replace them as we would wish would mean commissioning a carpenter to make each door individually and first we must pay for the new roof. And so for now a lick of gloss paint will have to do.

A few weeks ago we came over from England with two suitcases full of little things to decorate the place with. It is fascinating to see what one chooses in these circumstances. We now have a large bookcase full of mostly fiction (English classic and contemporary novels, US detective stories and a selection of European titles including several Czech masters), poetry (English and European) and some books on myths, jungian psychology and of course fairytales, including a favourite from our son's childhood an old Hamlyn book translated from the Czech and illustrated with typically Czech graphics. Our son commented that it wouldn't be our home without books in every room – we are working on it.

On the window sills of the main room there are three low white ceramic dishes. One contains pebbles of various hues and another of shells, both pebbles and shells collected on a beach in Kent. They are shown off to their best by lying in water – hold your face close to either and inhale and you will smell the sea, here in this landlocked country. The other bowl contains a collection of fossils – ammonites and a devil's toenail from the muddy beaches of the River Severn, bivalves from the Cotswold heights and some sharks teeth that I found in the shingle of that Kent beach. On the dining table is a small wine carafe holding a bunch of wildflowers collected from a meadow near the train station. Our son has given the house a large marionette, which he carried all the way back from Thailand in his knapsack. It looks strangely at home here. Upstairs a large Mexican embroidery the size of a small sheet and covered with hand-sewn brightly coloured animals adorns the landing wall.

The most Czech thing in the house is the hand-carved head of Jesus crucified that hangs at the top of the stairs. This was the first thing I bought for the house – a piece of work from our carpenter who had first introduced me to the house and aptly was playing Jesus in the local passionplay and clearly was getting heavily into the part.

Birds in the Czech Republic

I was sitting on the terrace the other day drinking a mug of tea, when there was a loud clattering on the stable veranda. I looked up expecting to see one of the local dogs looking down at me or at least the farm cat, but no – a small bird was peering over the edge. The bird was dark brown-black with a chestnut-covered tail and rump. He is a regular visitor to the yard searching for insects in the crannies of the barn walls. I am no ornithologist but by dint of buying a book of European birds I know him to be a black redstart. Other regular visitors to the yard include a nuthatch, with its black eyestripe like some designer sunglasses and lovely blue-grey wings and head, and house martins who nest under the eaves and do aerobatics against the sky. NB the house martin is not to be confused with the pine martin. The latter is also common here and a pest – such a confusion led to my husband talking at cross purposes with our Czech friend, who told us that martins chew their way through cables and so many Czechs put martin traps in the lofts!

Living where we do in a small village near to the Czech Sumava forests the common birds are less those of a English suburban garden but more those of woodlands and open fields. I regularly see a treecreeper working the bark of one of the trees that line the road to Horice. As for buzzards they are almost so common around here for it to be remarkable when you do not see one. Once my husband saw a buzzard flying over with a large grass snake in its talons. Another bird I have seen on my walks to the woods is the grey-headed woodpecker – something we do not get in England. Some of the villages on the wetlands around Ceske Budejovice have wheels erected on poles to attract visiting storks, which once they have nested you will see in groups in the fields. The last bird that I think I will mention is the butcher bird – the shrike – which was sat half way up a silver birch the other day with its cruel long hooked beak and harsh cry.

Floods

The first time we visited Cesky Krumlov was after the terrible floods of 2002. On our first night our friends gave us a tour of the town - it went something like this: " You see that line on the plaster of the house, that is where the flood water rose to."... "The water came down there and right up here." It was almost amusing the way the flood, "the worst in 1000 years" (although I am not sure who was measuring the water height in 1002) kept creeping into the tour of this most beautiful of towns. The floods clearly did huge damage and it has taken years to restore all the buildings. Like my friends, when giving a town tour to visitors, I find myself pointing out the flood line.

But I never really understood why the flood made such an impression on my friends, until now. In the last few days floods have torn through my beloved Gloucestershire. Even Winchcombe, the little Cotswold town of my birth, was hit by almost tidal waters as they swept off the hills and, channelled into the corner of Winchcombe's steep valley, tore through the streets and tore down dry-stone walls, flinging the stones around like pebbles. As a girl I was confirmed in the great Norman abbey of Tewkesbury, where as I write the flood waters have broken through into foundations and vaults. It was this news more than any other that brought tears to my eyes. The abbey normally stands above Tewkesbury's regular floods, its ancient builders (building yes just under 1000 years ago) had known how and where to place this holy site. Somehow therefore it is the waters' disregard for the old and the wonderful that hurts more than anything.

The walk home

Our small village is about 20 minutes walk from Horice Na Sumave and the bus stop for Cesky Krumlov. Well it is 20 minutes if you walk briskly, more like 30 if like me you dawdle and enjoy the views.

The walk takes you past the village crucifix and pond and up a short steep hill. On one side is a semi-derelict farm, from which I am always amazed to see lights burning at night, on the other a small huddle of trees where the local children have created a den. At the top of the hill you pass some tumble down walls made of the local granite. These push in at either side and on the left even seem to form some sort of circular structure. Perhaps these are all that is left of the toll gate that gave the village its name - I do not know despite checking the map in the local museum. Passing over the hill the narrow road drops down into Horice. When I first arrived the road was an overgrown track, which was impassable in the snows of 2006 (I know I tried and sank up to my waist in snow before giving up), now the road is tarmaced thanks to some funding from the EU. The view across to Horice Na Sumave is a lovely one, any time of year, but particularly in winter (see above).

Often on my walk I see the local wildlife - buzzards sweeping the air searching for rabbits, deer grazing at the field's edge under the eaves of the woods. Once I even came across an adder sunning itself on the warm tarmac, which I was relieved to see slipped away to the long grass verge as I approached. You pass under the main road to Lipno and into the town. Occasionally loud marching music abruptly breaks the silence from some loudspeakers sited on a pole as you enter the town followed by some sort of announcement. My friend tells me that this is a legacy of the communist times.

The way home at night is a very different experience. The last bus gets in about 11.00 and so the walk is done in the dark. The EU did not provide any lighting and in many ways I am glad of it. If the sky is clear, you get a wonderful panorama of stars and planets, unspoilt by light pollution. I find on such occasions the walk takes even longer as I keep stopping to look up. Once I was even rewarded with a sensational display of shooting stars. I am reminded of my childhood, when my dad and I used to go out with our dog and whilst the dog did his business in the bushes, we would try to identify the constellations. When the sky is clouded over, my walk home is a different story. The road is very dark, with only the pool of light from my torch. I lose track of where I am. But I can tell as I get towards the top of the hill, from the soft breathing of the cattle and the more alarming bellow of the bull. Once over the brow the village lights appear reassuringly beneath my feet. I can see the front of my house illuminated by a streetlamp. Within a few minutes I am home.

Czech Graffiti

I came across this wonderful piece of graffiti on a pillar of a footbridge in Cesky Krumlov. In my work in inner city Britain I have seen many a piece of graffiti, some of it quite artistic, some awful and some of it cryptic advertisements for where to buy drugs, but I have never seen anything like this. It is a very accurate portrait of the townscape of Krumlov, drawn by someone who obviously loves the town. Czechs clearly do graffiti differently.

Okay, so there is a load of rubbish graffiti too, but this example is not a one-off. In Prague I saw stencilled images of Nostrodamus and Kafka!

Counting

Twice a week I have a Czech language lesson. They say it's hard to teach an old dog new tricks, and as I struggle with my new language I realise that this dog is definitely getting old!

Now in most languages you often start with learning to count. Pity the poor souls who take this route when learning Czech. One is jedna, two dve, three (not so easy - it has the soft r) tři, but then you hit four - aaarghh! Four is čtyři - phonetically (or as near as I can get it) chteeeezrzree.

Okay you think, I'll give up on that - I'll try days of the week instead. Bad idea. Again you start ok: Monday - pondeli, Tuesday - utery, Wednesday - streda, and then you hit the fourth day in the week - čtvrtek. And don't even think about telling the time - not only is there čtyři to cope with but also quarter past - čtvrtek - and quarter to - tři čtvrté. The worst time of all is quarter to four - tři čtvrté na čtyři.

My secret is always to buy three apples or five and make sure my watch is telling the correct time. The old dog may not be able to do the trick, but there is more than one way to skin a cat!

Whitewashing Visitors

My sister and her family are staying in our Czech home at the moment. They have been there for a week, having spent a fortnight there last August/September. Just as last year the weather until the day they arrived was perfect - sunny and dry as is normal at this time of year. But, as has become a standing family joke, they brought English rain with them.

The advantage of that for us is they need something to do to pass the time and so last year we got a large chunk of whitewashing done for us! My sister wanted to be an art restorer when she was younger, but was denied by having done the wrong exams. So her art restoration skills were put into practice on the decorations in the house. In the old days the whitewashed walls of the houses in the area were decorated using coloured paint on rollers. The rollers produced a regular pattern on the walls similar to wallpaper. When the decoration grew old and tired, it was whitewashed over and a new pattern applied. Thus on the walls of our old house there were layers of decoration stretching back through many years and generations of house-proud German families. My sister painstakingly removed the layers and counted ten before hitting the stone wall.

The problem with these decorations is unless you know to apply a coat of stabiliser to the wall before applying the whitewash, the paint of previous decorators will appear like a ghostly signature on the wall. Not having any experience of whitewash (to those Czechs reading this, we use emulsion paint in the UK) I wasted a whole day painting a room, only to wake up the following morning to see the paint coming through. Whitewash has other disadvantages not least being the fact that it comes off on your clothes if you lean against it - so don't put coat hooks on the wall - but on the upside it does allow the old walls to breathe. What with the ghostly hand of past decorators and breathing walls this house has a life of its own.