Czech Prints - Owls

I am mindful that I have not blogged here for a while. I have been unable to get back to the Czech Republic for a year now because of Covid 19 restrictions, which makes blogging difficult. However I do have an extensive collection (over a 1000 items) of Czech prints, mostly ex libris or PFs, which could stimulate an interesting series of posts - either about the subject matter or about the artist. 

I am going start the series with a post about a subject dear to my heart - owls. When I was nearly three, my family moved house. My father took me exploring the garden, an event that has stayed with me to this day. The previous owner had kept owls in the old stables that sat at the bottom of the garden of our rather normal terraced house and Dad showed me the pellets. The experience is the subject of the poem that gave my newly published poetry collection its title. The poem appears at the bottom of this post. 

Ever since then I have had a love of owls and it seems that the Czechs have too, as owls feature in quite a few prints in the collection. Here are a few of my favourites: 

This is by Hanak, it's just one in a number of owl exlibris by the artist.

This by Plechaty

This by Rajlich

This is by Svolinsky

And this by Bugan. 

You will notice that this ex libris and the one by Hanak are for the same patron. You often find that patrons will commission different artists to create work on their favourite themes. Dr Pribys obviously loved owls. 

In case you are wondering the print at the top of this post is by Palenicek.

Here's the poem. If you are interested in buying the book, it is called Owl Unbound and is published by Indigo Dreams Publishing -  https://www.indigodreams.co.uk/zoe-brooks/4595048690. I have a number of copies to sell (signed if you want), just email me on zoe.brooks@googlemail.com to buy a copy. 

Owl Unbound

First we found the snake
a ball of coiled skin and muscle
in a pickling jar at the base of the hedge.
 
I followed my father up
the outside stair to the stable loft,
on one side the railway signal
without a track,
on the other a brick wall,
pocked as the moon,
that would crumble
like cheese in the rain
under the thud of my ball
and send it flying sideways
escaping me.
 
The tread creaked as my father entered
and I followed into the dim.
I looked around, but saw
only an empty perching post.
The owl had gone with its master.
 
At my father’s instruction
I held out my hands
as if ready to receive bread and wine,
but into my bowl of fingers
he dropped a pellet,
a galaxy of small bones and feathers
cocooned in fur.
 
That night I woke.
The moon shredded by clouds
hung over the stable roof
and an owl called unbound
from the cypress tree.

The Carpenter - Frantisek Jesus

I am sometimes asked how I found our Czech house. The answer is Hannah's carpenter - Frantisek. She told him I was looking and he took it upon himself to find the right house for me. When I said how it called to my soul, he did one of his mysterious smiles and said "Vim" (I know). That comment pretty much summed him up. He was a man of very few words, seldom more than two left his lips at any one time. But he had a spirituality that was beyond words. The first time I met Frantisek was when he was playing Jesus in the Horice na Sumava Passion play - a part he was made for. Hannah and I joked that he was so into method acting that he never came out of character. To my husband and me Frantisek is always known as "Frantisek  Jesus."

Frantisek was an artist rather than a carpenter. I remember how he stroked the curve of a desk he made for Hannah out of one plank of wood. Nothing Frantisek made was ever quite straight, which was a problem if you wanted him to make a door, but not if you wanted something beautiful. How I wanted him to make me some furniture. But first the house needed repairing, and after a disaster in which he removed my windows to repair without numbering them, I was disinclined to offer him precision work.

One day he arrived excited that he could source some wood cheaply for Hannah and me. We both ordered a load of rough hewn planks - Hannah chose oak and I elm. Mine were piled in the barn to wait the time when they could be transformed into furniture. Very soon I discovered that mine had woodworm, something elm is prone too. Woodworm didn't seem to worry Frantisek over much. On a visit to his house and workshop in Horice, I found my feet sinking into the floorboards they were so wormy. When I finally left my Czech home, the elm planks remained unused and were only fit for firewood. I never did get the chance to own one of Frantisek's quirky bookcases.

Over the years Frantisek would occasionally turn up for a wordless visit. But then his visits stopped. When I asked my neighbour, a mutual friend, she told me that Frantisek had been working in Germany (something many local craftsmen do) and that one day coming home over the Sumava mountains and probably tired after a long week of work, he mistook a tight bend and drove into a tree. His son who was with him was thrown clear, but Frantisek was killed.

I shall always be grateful for that silent, strange and wonderful man. When I left my Czech home I left a carving, the only thing Frantisek made for me, a self portrait of Jesus. It was too heavy to take on the plane and besides I very much felt that it should stay there.