Hutkin

I have blogged about the Czech chata or hutkins in the past. Many are set in the countryside, in woodland clearings and beside lakes and streams. But others are to be found like English allotments in the most unpromising of places, besides railway lines or on city wastelands. One of the joys of a trip on both an English and a Czech train is these flashes of human creativity and love of nature amid the ruin and bleakness of our cities, they give one hope for mankind these little Edens set in a sea of grey.

In Cesky Krumlov the other day I was walking by the river. On one side was the back of the Eggenberg Brewery, which away from the tourists' eyes was looking run-down, with blind and broken windows and trees growing from its gutters, on the other side cliffs of granite rose from the river up to the orbital road along which could be heard the growl of traffic making its way south. But here too was an Eden - a hutkin perched on a cliff, and a woman tending a garden carved into the granite. A few yards away was the road's tarmac and beyond that a factory tower, but she was with nature on her cliff.

I was reminded of a favourite track by the queen of English folk music June Tabor – A Place Called England. You can see it performed by June herself on Youtube . It strikes me that the English and the Czechs share a love of and a relationship with the soil and gardening, which is quite profound.

The rotating theatre

Regular readers of my blog will know my views of the need for UNESCO to protect the important historic buildings of Cesky Krumlov against the pressures of commercialism. I welcomed their call for an audit of historical buildings.

One of the conditions of World Heritage site listing was the removal of the rotating auditorium from its current site in the Castle Gardens next to the Bellarie Summerhouse, which was built in the rococo style in the mid 1700's. The summerhouse is a remarkable and beautiful building and the UNESCO argument is that it should be seen in its natural setting without the intrusion of a modern open-air theatre auditorium. As someone who has specialised in rococo gardens - I formally ran a heritage centre in Vauxhall, which was built on the site of Vauxhall Spring Gardens, the most famous of all rococo gardens - I am acutely aware of the rareness of such gems.

That said there are many fans for the auditorium in its current position. I would recommend that visitors to Cesky Krumlov make a point of experiencing the magic of a performance in the gardens, before we lose the auditorium from its current site. Throughout the summer there are operas and plays staged in the gardens and whilst the performers can be of varying quality the theatre works wonderfully in the setting. You sit on the raked seating under the stars (or rain if you are unlucky) and the performance takes place around you - in the gardens and on the terrace of the summer house. The 360-degree rotation of the auditorium allows this action to take place anywhere within sight of the audience and anywhere that suits the drama. We watched Dvorak's opera Rusalka and the scene moved from the court to the lake home of the water sprite heroine and back again easily with the turn of the auditorium.

If, as they must to meet UNESCO demands, the Cesky Krumlov authorities do move the auditorium, it is hard to see where it can go and have the same magic. I do think the auditorium is in the way of seeing the summerhouse properly in its setting, although sitting in the empty auditorium does give you a great view. I also think far more could be made of the summerhouse to enable visitors to appreciate it, for starters I would love to be able to look inside. But at the end of the day I do wonder whether some compromise might not be the best solution. When I was researching the Vauxhall pleasure gardens and their rococo structures, I became aware of the theatricality of the period - rococo is nothing if not artifice. The auditorium whilst not in keeping architecturally with its historic surroundings, undoubtedly is in terms of spirit.