Kroměříž

Kroměříž is a small Moravian city half way between Brno and Olomouc and it is renowned for its Baroque architecture, so renowned that UNESCO has made it giving it World Heritage Site listing because The Gardens and Castle at Kroměříž are an exceptionally complete and well-preserved example of a princely residence and its associated landscape of the 17th and 18th centuries. The ensemble, and in particular the pleasure garden, played a significant role in the development of Baroque garden and palace design in central Europe.

The best way to take in the sites is to follow the UNESCO Way. This signposted route takes you past some (but not all of the city sites). It starts at the gate to the Palace Garden, a large landscaped park with some more formal features. The next major stop is the Archbishop's Baroque Palace itself. There are several tours of the Palace complex to choose from, of the Archbishop's sumptuous state and private rooms, the Archbishop's picture gallery with paintings by Titian, Cranach,, Durer, Van Dyke and other masters, or the Palace Tower to gain a birdseye view of the city. From the Palace the Way winds through the city streets past two major churches of St John and St Maurice, before ending at what is for me the highlight of Kroměříž - The Flower Garden. This Baroque pleasure garden is a unique example of garden design and architecture of this period (1665). Take your time here to wander through the flowerbeds, through the statue-lined arcade and then climb up on to the viewing platform on the arcade's roof.

If all this sightseeing has given you a thirst, walk to the Large Square where  the Cerny Orel hotel and pub has its very own microbrewery. I tried to buy some beer to take home, but the bottle leaked all over the car boot, so now I just enjoy a glass or three when I am there.

Here's a video of some of the Baroque delights of Kroměříž:

Bohemian Baroque

The Victoria and Albert Museum in London has a big exhibition on Baroque opening on Saturday, which gives me an excuse to blog about the Bohemian Baroque.

In my post about the Ales Gallery I wrote of my love of Bohemian Gothic religious art; I am afraid this does not extend to Bohemian Baroque. I think it must be my English background that makes me so ill at ease with the baroque style of religious decoration. Czech churches are sometimes full of it and give me the creeps - those tortured or ecstatic saints looking upwards with elaborate hand gestures, those doves of the Holy Spirit like gilded guided missiles. In fact all together too much gold, marble, wealth and power. It's the in-your-face Counter-Reformation intolerance that the Catholic Baroque symbolises, that gets to me. For that matter I am not very keen on English church baroque either.

Now, I love a good carved medieval pieta or Last Judgement wallpainting, but then they are part of my English upbringing, something that would surprise many Czechs. On my first visit to the Czech Republic I was taken to a church service in Prague. “You probably won't like it, being a protestant,” I was told. Actually there was nothing in the service that I had not seen in Anglican church services – in fact there were if anything less “bells and smells” than in the High Anglican church in which I then had an office and where you had to open all the windows to get rid of the clouds of incense after the service. I was struck by how similar the Anglican Book of Common Prayer was to the Czech Catholic service I was listening to. Indeed my host would have been shocked to hear that on Sundays all over England “protestants” were giving witness in the Credo to a belief “in the one catholic church”.

But that is the point I think – the Anglican Church is catholic (with a small c), it is designed to be open and tolerant to all sorts of beliefs. When I tried to explain that the English Church was designed as a compromise to allow Catholics and Protestants to worship together, my Czech hosts laughed. It was another example in their eyes, I fear, of a lack of principle on the part of the English. I beg to differ. Looking at the religious fundamentalism of those Baroque churches and the Counter Reformation, it seems to me that pragmatic tolerance is actually a principle worth standing up for, now as much as ever.